Tuesday, August 25, 2009

A Critical Examination of the Rape/Revenge Flick

Recently I had the pleasure of watching the early 1980s exploitation film Ms. 45. This movie has everything you'd want out of early 1980s exploitation cinema: hot chicks, plenty of violence, early New Wave fashions, ridiculous characters, and a bizzare and rather perverse message which I will describe shortly. The premise is easy enough and the film wastes no time getting down to it, much like director Abel Ferrara's debut "video nasty" Driller Killer.

Thana is a shy mute girl who works as a seamstress in New York's garment district with a few other equally attractive young women who run the gamut of typical male fantasies: a preppy blond, a brunette, and a black haired foul-mouthed tough girl with an adorable Brooklyn accent. An early scene shows Thana, the blond and the tough chick walking to the subway after work and having to deal with leers and comments from blacks, hispanics and an Italian guy who says something like, "Hey, baby come sit on my face!" With dialogue like this you know this film will pull no punches and the viewer is in for some seriously low brow entertainment.



Thana breaks off from her co-workers on her way home and along the way is dragged into an alley and raped at gunpoint by some greasy haired dirtbag in a mask. She makes it home after the attack a disheveled mess with her blouse still unbuttoned. Unfortunately for Thana her misfortune is not yet over. A few minutes after Thana arrives home a burglar makes his presence known and demands to know where the money is. Thana, mute and in a rather fragile state after the brutal rape is unable to articulate anything but fear in the form of a few squeaks. The robber then decides to have his way with her and at this point Thana doesn't even put up a struggle. While he is raping her and has dropped his gun, Thana grabs a small object and bashes his head with it. While the burglar recoils in pain she brains him effectively with an iron. After contemplating her worsening situation she puts his body in her tub, dismembers it and stores the bagged remains in her fridge. Over the course of the film she gradually gets rid of the burglar's body parts in a myriad of ways, including feeding some to her kooky landlady's dog.

Unlike other rape/revenge movies, the rape scenes are not especially gratuitous and the movie features no nudity. Those movies which engage in such graphic detail seek to draw the viewer into a strange paradox whereby one can get off sexually from watching a [simulated] rape but redeem themselves by rooting for the protagonist in the orgy of pornographic violence which is sure to follow. An example of this type of rape/revenge film is Billy Jack, where all the female characters are ultimately helpless and need the stoic Cherokee Billy Jack to protect them from redneck savagery. As I mentioned, Ms. 45 is certainly not this type of film but that doesn't make it's message any less perverse.

In addition, the violence is not particularly gory, but what it lacks in blood and guts in makes up for in body count. While I didn't explicitly keep track, I would assume that Thana kills well over a dozen men in the course of the film. The one exception to the lack of gore comes in a scene where Thana, after succesfully dismembering the burglar, hears a noise from her bathroom and upon going to investigate the viewer is treated to a closeup of pink entrails spewing from the tub drain. Great stuff! In some ways, though, this conservative sprinkling of gore makes it more effective, much like the blood filled toilet scene in The Conversation.

While disposing of a bag of the buglar's body parts, some Gino doofus follows Thana to chat her up but she panics, thinking he's going to rape her, and puts a bullet through his forehead. From this point on Thana is ready for a rampage and begins going out purposely to antagonize men to hit on her so she can blow them away. She sheds her cute but reserved style for a New Wave vampiness of red lipstick and black leather. It would also appear that the outfit she dons when she kills a couple of gang members in a park (it seems she stumbles through an alternate ending to The Warriors) is the basis for the girls in Robert Palmer's 'Addicted to Love' video. Consider:


Thana as Femme Fatal[e]


'Addicted to Love' girl

But the costumes or murders certainly don't end here. In addition to the burglar/rapist, guido idiot, and a few gangbangers, she shoots an obnoxious fashion photographer, an oil sheik and his driver and almost wastes some poor sap she meets in a bar who won't stop talking about his failed marriage, however when the gun jams he grabs it from her and promptly takes his own life on a park bench. Great stuff!



The final scene of the movie is at a Halloween party thrown by the fashion designer for whom Thana works. The designer initally comes off as a typical fag (he's a fashion designer in early 80s NYC for goodness sake!) but eventually the viewer learns that he has intentions on Thana and is therefore either a hetero queen or bisexual (i.e. a pervert). Thana goes as his date to the party dressed as a nun while he goes as Dracula. Here the symbolism gets a bit obvious with the sexual repression of Thana and the parasitic nature of men laid out in open for the benefit of the most oblivious viewer. The designer whispers sweet nothings to Thana during the party and she eagerly follows him upstairs. During the initial stages of seduction Thana whips out her pistol and kills the designer. She then descends the stairs to the party and starts randomly shooting every man she sees. She even shoots some dude in drag who desperately tries to pass as an authentic member of the Sisterhood. The massacre scene is slowed down and is over ten minutes. It's great to see all the partygoes bedecked in their costumes huddling together in fear instead of just getting the hell out of there like any normal person. Right before Thana kick starts her Halloween man massacre, the party band is laying down a seriously funky jazz track which is very reminiscent of the free form jazz experiments of No Wave musicians during that time, especially Lydia Lunch and James White & The Blacks. Personally, I think it would have been better if this track continued to play even as the band scatters in fear. The track that plays instead sounds like one of those Halloween spooky sound records slowed down to half speed. Thana's killing spree is finally ended when her brunette co-worker stabs her in the back with a cake knife. Again we get hit over the head with the obvious symbolism and the look on Thana's face as she dies is one of pure shock at the betrayal from one of the Sisterhood. Clearly Thana wasn't just doing this out of revenge for the rapes she endured, but for the good of all Womankind.

The message of the film is not simply about sex being used as a weapon of repression but the inability of humans to overcome horrific events. As such, the view of humanity is rather pessimistic and sees people as weak and incapable of surmounting the brutality of others. We can assume that Thana, as a mute, may have had very limited contact with men in regards to having relationships. We might even assume that prior to the rapes she was a virgin. As such, while her campaign of revenge is certainly sexy from an aesthetic perspective (handguns, black leather, red lipstick) it is not supposed to be self-affirming. The viewer can root for her when she kills most of her victims (she's just taking out the trash) but the scene with the sad sack who eats a bullet after her gun jams is meant to show she's gone to far. The final scene shows her as a complete maniac who, Valerie Solanas-style, wants to eradicate all men from the planet. There is also a subplot where the viewer is lead to believe she has mercilessly killed her landlady's dog. The purpose of all this is to show that Thana is a desperate, delusional and damaged person, in other words, a victim. That's right, nothing to see here, just another victim. Just another client for the Therapeutic State. Of course, we should keep in mind that this is simply entertainment and for that this movie is the bee's knees.

37 comments:

睡衣 said...

以簡單的行為愉悅他人的心靈,勝過千人低頭禱告........................................

開心唷 said...

wonderful...................................................

于名韋成 said...

如果你不思考未來,你便不會有未來..............................

明偉誠秋 said...

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TimikaE_Harkey said...

朋友是一面鏡子......................................................

昀睿roccolivingstone07 said...

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90809eugeniopals said...

A good medicine tastes bitter. .........................................

劉KarolR_Sundquis said...

加油!充實內函最重要!Beauty is but skin- deep..............................................

韋于倫成 said...

河水永遠是相同的,可是每一剎那又都是新的。..................................................

天光天光 said...

天下沒有走不通的路,沒有克服不了的困難,沒有打不敗的敵人。......................................................

Don婉勇 said...

路過看看哦,請加油........................................

Re弘娟neS_Seely0216弘娟 said...

如果相遇.你會感到相知.那麼.有一種習慣叫做陪伴;如果陪伴.你會感到珍惜.那麼.有一種甜蜜叫做存在!.........................

俊茹 said...

感謝您費心的分享您的生活!讓我也感同身受!.........................

rl64@yahoo.com.hk said...

好東西要和好朋友分享--感謝您........................................

真坤 said...

如果成為一支火柴,也要點亮一個短暫的宇宙;如果是一隻烏鴉,也要叫疼閉塞的耳膜。..................................................

玫友 said...

失去金錢的人,失去很多;失去朋友的人,失去更多;失去信心的人,失去所有。..................................................................

哲維維 said...

死亡是悲哀的,但活得不快樂更悲哀。.................................................................                           

張瑋劭 said...

死亡是悲哀的,但活得不快樂更悲哀。......................................................................

于庭 said...

成熟,就是有能力適應生活中的模糊。.................................................................

原秋原秋 said...

faith will move mountains. ..................................................

竹青 said...

心平氣和~祝你也快樂~~..................................................................

JasonBirk佳琪 said...

Practice what you preach.............................................................

楊儀卉 said...

One swallow does not make a summer...................................................

許堅儀許堅儀 said...

Give a fool enough rope and he will hang himself...................................................

彥安 said...

期待你發表的新文章!跟你說一聲加油。............................................................

琬安琬安 said...

forgive others but not yourself...................................................

RicoLisi0802志竹 said...

Learning makes life sweet.

劉隆季劉隆季 said...

Lets cross the bridge when we come to it............................................................

李v吳俊其彥柏 said...

「仁慈」二個字,就能讓冬天三個月都溫暖。..................................................

吳許芝蓮佩儒 said...

每日都有新日光,每日都有新希望。.................................................

亦奈美妮 said...

時間就是塑造生命的材料。

周俊許佳蓉安 said...

You may be only one person in the world, but you may also be the world to one person...................................................................

謝俊林奕宏宏 said...

We could learn a lot from crayons. Some are sharp, some are pretty and some are dull, Some have weird names , and all are different colors, but they all have to live in the same box ...................................................................

鐘王惠文美惠 said...

君子遇窮困,則德益進,道益通。............................. ....................................

瑰潼 said...

良言一句三冬暖,惡語傷人六月寒。......................................................................

王綺廖家堯廖家堯穎 said...

嘿,你的部落格不錯哦!............................................................